Minggu, 30 September 2018

September Quick Picks and Pans

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Patch Town (2014) In this imaginative low budget fantasy from director/co-writer Craig Goodwill (based on his short film from 2011), people born from cabbages are transformed into dolls (due to probably copyright infringement, Cabbage Patch Kids are never expressly mentioned, but the comparison is unmistakable). When their owners tire of them, they go back to their factory of origin, where the dolls are transformed back into people, as laborers for an oppressive, totalitarian corporation, led by Yuri (Julian Richings). Jon (Rob Ramsay) remembers his past as a little girl’s doll, plotting his escape in a quest to find her again. He’s joined by Sly (Suresh John), his wife Mary (Stephanie Pitsiladis), and their adopted baby daughter. Goodwill blends fairy tale elements, music, and dystopian themes to create a one-of-a-kind experience. I’m not sure who’s the intended audience, but I admired the effort to make something that’s obviously not by committee.  

Rating: 3 ½ stars. Available on DVD and Amazon Prime


Big Bad Mama (1974) Angie Dickinson stars in this Roger Corman-produced/Steve Carver-directed Depression-era action/comedy as Wilma McClatchie. Along with her two daughters, she embarks on a crime spree from East Texas (which looks suspiciously like Southern California) to Southern California. She’s joined by bank robber Fred Diller (Tom Skerritt) and William J. Baxter (William Shatner), an oily con man (Shatner reminds us of two things he should never attempt: Southern accents or sex scenes). It’s a good-natured drive-in fare that never takes itself too seriously. Filled with ample amounts of sex, action and comedy, Big Bad Mama delivers on its modest aims. Since it’s a Corman production, watch for some of his regulars, including Dick Miller and Paul Bartel.

Rating: 3 stars. Available on Blu-ray, DVD and Amazon Prime


Into the Night (1985) John Landis’ comedy/intrigue hybrid is short on laughs or thrills, but it has its moments. Jeff Goldblum plays Ed Okin, an aerospace engineer with insomnia and an existential crisis. He goes on a late-night drive to get away from his cheating wife, and crosses paths with Diana (Michelle Pfeiffer), a young woman with a shady past. In true femme fatale fashion, she’s on the run, with stolen emeralds in tow. Ed unwisely chooses to help her out, and becomes entangled with the same people who aim to kill her (including a ruthless killer, played by David Bowie). Into the Night’s greatest claim to fame is the amazing number of cameos (Landis must have phoned everyone he knew in the business), including famous directors and industry professionals (Roger Vadim, Rick Baker and Jim Henson – the list goes on). Unfortunately, the numerous appearances only serve to reveal the film’s biggest weakness; the material is stretched too thin, without enough story to sustain momentum over its nearly two-hour runtime. Between the cameos and the continuous gallery of memorable L.A. locations, there’s enough to keep the viewer somewhat occupied, but given the assembly of talent, it could have been so much better.

Rating: 3 stars. Available on DVD


Liquid Sky (1982) Tiny invisible aliens in a tiny flying saucer arrive in New York City, and set up base on top of a penthouse apartment. They watch over Margaret, played by Ann Carlisle, who appears in a second role as Jimmy, a junkie fashion model. There’s also a German scientist (Otto von Wernherr) tracking the aliens, who reminded me vaguely of Werner Herzog. Meanwhile, anyone who attempts to have sex with Margaret dies, courtesy of the aliens that feed off endogenous opiates in her brain. The film is a brightly colored, incoherent, plotless mess. It seems to be saying something about the New York art scene, but what it is, I have no idea.

Rating: 2 ½ stars. Available on Blu-ray, DVD and Amazon Prime

31 Days of Horror 2018: Hereditary

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Directed by Ari Aster.
2018. Rated R, 127 minutes.
Cast:
Toni Collette
Alex Wolffe
Milly Shapiro
Gabriel Byrne
Ann Dowd

The Grahams are a family in grief. Matriarch Annie (Collette) has just lost her own mom. Even though the two weren't terribly close, Annie is still having a hard time coping. Before long, she's seeing her mom everywhere she looks. Matters aren't helped by the fact that her mom's grave has been desecrated. Annie joins a support group where we find out her side of the family has a history of mental illness. Her husband Steve (Byrne) seems to be dealing with things quite a bit better. Together, they also have a son, Peter (Wolff), and a daughter, Charlie (Shapiro). When Peter wants to go to a party, he's given the worst condition possible to teenage ears - he has to take his little sister with him. He does, and from there, things really spiral out of control.

Ari Aster writes and directs. It's his directorial debut and you'd never know it just by watching it. He's completely confident in the effectiveness of his story and it shows. Rather than let loose a thousand jump scares to get viewers into it, or rushing his film to it's hectic finale, he takes his time building dread. Instead of trying to be scary, his film is content, and intent, on being creepy. And it's better for it. If you go in looking for a mile-a-minute gore-fest, you'll disappointed. If you settle in and pay attention, well, you might not be settled for long. Things in this film tend to crawl beneath the skin. The heavy tone of it all keeps us in the film, trying the best we can to roll with whatever punches are coming. However, the real kicker is that no matter how many supernatural things appear to be going on, they're grounded in something we can relate to, even if only tangentially, mental illness. Adding the title of the film to that mix makes it all the more potent. What if the problems of ancestors we thought to be crazy were passed on to us? How would it affect us and our families? How would we deal with it? Can it even be dealt with?

The vessel through which Aster creates our angst (relates his?) is Toni Collette. She spends most of the film drawing us in. Once she ensnares us, she doesn't let go of us. More accurately, we won't let go of her even though we know we should. She earns our empathy early and keeps it even as we are actively recoiling from her. Collette kneads us into an impressionable dough and pretzels our emotions. It's an astonishing piece of acting. Hopefully, it transcends genre once awards season rolls around.


Collette is far from alone in her excellence. While the ever-reliable Gabriel Byrne doesn't really make much of an impression, Alex Wolff and Milly Shapiro as Peter and Charlie, respectively, do. In Byrne's case, his shortcoming is a byproduct of one of the script's few flaws. He's simply the clueless dad. Wolff is asked to do more, and he handles it very well. However, he's outshone by Shapiro. Her demeanor and dour disposition just oozes "creepy kid" in the best way possible. She also has two of the film's most memorable elements. One I won't spoil, but it has little to do with her abilities. The other is all her. It's her delivery of a simple clicking noise. Outdoing them both is Ann Dowd as the lady from the support group who befriends Annie. We can see her character arc coming, but she still makes it work.

Keeping Byrne's character a mere trope is a drawback to the screenplay, there is a bigger one. The direction taken by the last act is awfully reminiscent of The Witch. In some spots, it feels like the good people at A24 simply changed the setting from that movie's 17th century to the modern day as it hits many of the same beats. Admittedly, this is only a problem if you've seen The Witch. If not, you'd have no clue what I was talking about. Luckily, even if you did Hereditary manages to separate itself. Where The Witch goes hard after the effects of religious fanaticism on the family, Hereditary looks deeply at nature vs. nurture. The burdens of our ancestors weigh heavily on us. This film makes that point in spades.



31 Days of Horror: 2018

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It's Heeeeeeeeeeerrrrrrrre!

Dam Toys 1/6th scale A Decade of Navy Seal 2003-2013 12-inch Military Action Figure

Watch Movies TV -This is a great comparison kit, showing the difference between a United States Navy SEAL Team operator of the early 2000 era (circa 2003) with a more modern operator from 2013, with advances in technology and weaponry. Check out the pics of the more current SEAL from 2013 further down in this toy blog post and compare them with the 2003 version posted below.


Dam Toys #78060 1/6th scale A Decade of Navy Seal 2003-2013 12-inch Military Action Figure Parts list: Head sculpt, Action Body, Gloved Hands For Holding Weapon X3, Sunglasses, Mich 2000 Helmet With Tatm Nvg Mount, Fast Base Jump Helmet With L4g24 Nvg Mount, An/Pvs-15 (M953) Night Vision Binocular, T-Shirt, Desert Camo Bdu Coat, Desert Camo Bdu Pants, Pcu L5 Soft Shell Jacket, Aor1 Combat Pants, Cqb Belt, Duty Belt, Utility Suspenders, Low Vis Armor Carrier Vest, Mbss Plate Carrier (Od), Molle Assault Pack (Od), Admin Pouch (Od), Single M4 Mag Pouch (Od), Double M4 Mag Pouch (Od), Triple M4 Mag Pouch (Od), Double M4 Mag Pouch (Tan), Mbitr Radio Pouch, Triple Pistol Mag Pouch, Escape & Evasion Kit Pouch, 6074A Nvg Pouch, Aor1 Blow Out Pouch, Drop Leg Triple Flash Bang Pouch, Knee Pad, Fsn 95 Gtx Boots, Gps, G-Shock Watch, Ms 2000 Strobe Light, Vip Infrared Signal Light, Light Stick X3, Pen X3, Mutli-Plier, Flash Light, Head Light, 2367 Personal Retention Lanyard, Carabiner X2, Nsw Military Emergency Tourniquet (Met), Restraints Plastic Cuffs X4, An/Prc-148 Mbitr Radio, M3 Headset With Nsw Ptt, Tasc Davies Headset With Ptt, M18 Smoke Grenade X2, Mk141mod0 Flashbang X4, M67 Frag Grenade X2, 6004 Tac Holster, Mk24 Pistol, Pistol Mag X2, Pistol Mag(20Rd) X1, Mk18mod0 Carbine, Sopmod M4 Barrel With Ris, Forward Grip, Backup Sight, Comp M2(M68 Cco) Sight, An/Peq-2 Laser, M961 Flash Light, Rifle Sling, M4 Mag X3, Qd Suppressor, Mk18mod1 Carbine, 553 Holo Sight, La5/Peq Laser, M3x Gun Light, Dual Pressure Switch, Vertical Grip, Sling Adapter, Aor1 Rifle Sling, Pmag X3, Flag Patch, Flag Patch (Ir) X2, Flag Patch (Sand) X2, Morale Patch A, Morale Patch B, Morale Patch C

Scroll down to see all the pictures.
Click on them for bigger and better views.