Kray (Erich Gonzales) was the daughter of a retired stuntman (the later Baldo Marro), who now worked as a stuntwoman herself for a living. One day, Kray, together with her old friends Jonesky (Thou Reyes), Cheche (Max Eigenmann) and Reneboy (Nico Dans) were gathered up together again by their ring leader Ramil (Alex Medina) for a new money-making project. Little did they know that their new job with boss Bangkil (Paolo Paraiso) got them involved in a grisly organ-harvesting gig from which they could not easily quit.
If I could be completely honest, comparisons with "BuyBust" (Erik Matti, 2018) would not be too far-fetched. Both films were about a team of friends whose planned operation went wrong and so they had to fight themselves out of the tight spot they were trapped in within one night. In "BuyBust" it was in a maze-like slum in Tondo. Here it was an abandoned warehouse at the ports, also in Tondo.
The teams in both films had females who can fight as skillfully as the men, one of whom was the lead character. Both had a member who was a gentle giant of a man (Rico in BB, Reneboy here). Both had a male team leader who was injured early on in the film, and had to fight injured (Bernie in BB, Ramil here). The fight scenes in both films were brutal and graphic, shot with artistic flourish of light and shadow, accompanied by a rock music.
It could either be a problem or a benefit that it was released the week right after the viral success of "BuyBust". It could be a problem because people have had their fill of intense fight scenes featuring a drama actress playing against type. However, it could also be a benefit because the interest of the public for action films had just been whet, so the iron was struck while it was hot.
Erich Gonzales did very well in the lead role playing an action heroine, a role that was a major departure from the roles she did in her previous TV or film work. Her Kray was tough, no-nonsense, and did not back down from a fight. Right off the bat she was shown running down the street being chased by motorcycles. She chinned a bar, shimmied down an elevator cable, fought solo against a number of men (mano-a-mano, with various bladed weapons, breaking necks, asphyxiating by rope) all while keeping whiny little girl Isabel safe, among other athletic feats. Impressive.
Alex Medina seems to be getting typecast in these rascal roles. When he does a role, you do not really trust the character anymore, like Ramil here. I had seen Thou Reyes onstage as a swishy transgender in "Rak of Aegis" before, so I was surprised to see him take on the role of the macho boxer Jonesky. I had seen Max Eigenmann in a number of quirky drama indie films before, but nothing like the amazon fighter Cheche was here. She was so cool that she even had a cigarette lit in the clear face of death. Nico Dans may also be a big man-mountain like Brandon Vera, but his Reneboy was no Rico Yatco.
I thought the film editing by Jaymie Dumancas deserved an award for its rapid yet clean splicing of scenes to create that frenetic atmosphere. Another technical detail that deserved recognition is the awesome sound and the seamless editing together of those multiple simultaneous sound effects (bone crushing punches, slashing knives, crying kid, groaning injured guy, etc) heard at the same time to create the cacophonous chaos of this film. Kudos to the costume department for giving Kray that badass black sleeveless Metallica t-shirt!
Overall, this was one very exciting action film shot with modern sensibilities and style by writer / director Richard Somes, with cinematographer Alex Esperto. The fights, as choreographed by Jake and Jhappy Bahian, were purposely unpolished brawls -- so well-suited to the film's dingy, rough-hewn vibe. It is said that Somes shot this film in only eight days, so to come up with something this vibrant, thrilling, scary and energetic (without resorting to curse words) is truly a remarkable achievement. 8/10.
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